© Site and most content copyright to Peter Weatherill 2017 - 2019
Some content copyright to other authors as identified
What is wax bloom ?
It is a fine grey powder coating that develops on a heavily waxed surface which can obscure the
detail of an artwork completed in wax pencil. You don’t get wax bloom unless there is a lot of wax
material on the paper surface and you don’t get it if you use an oil based pencil brand such as
Polychromos, Pablo, or Polycolor, . It is not the end of civilisation as we know it, if it occurs, and
those who use wax based pencils often prefer to stay with their wax brand and work around any
bloom which arises rather than change brand.
It is notable that Caran d’Ache adopted oil as the base for their new ‘top of the range’ Luminance
pencils even though they use wax for the rest of the CP lines they manufacture. I haven’t had a
problem with bloom myself, but then I use underpainting to get depth of colour and I tend to use Oil
based pencils for my own work.
USA based Prismacolor do warn of the problems of Bloom with their pencils - particularly when used
in hot or humid climates which lead to the wax crystals migrating to the surface of a completed
picture. To reduce the possibility of bloom, Prismacolor recommend spraying the work at intervals
with a workable fixative and then final fixing at the end.
Bloom generally occurs and shows where dark colours have been laid down in many layers and
then well burnished so that the coloured top layer is sealed off. Bloom can be removed by gentle
wiping of the wax surface and there are preventative sprays which can be used to fix the surface to
try and stop it from returning.
What does it look like?
American artist Brandy Perez has kindly allowed me to use some of her artwork to illustrate and the
example images are shown at the foot of this article.
( Note the images are all copyright of Brandy Perez 2009 )
Prevention and ‘Cures’
In the USA, Krylon manufacture a range of fixatives some of which are suitable for a final fix of the
finished work and also contain UVA protective filters. In Europe there are a range of fixatives
available, most manufactured for the finishing fix of pastel, watercolour and graphite pencil. Daler
Rowney and Winsor & Newton both market fixative sprays that work in this way, though the regular
users of fixatives, seem to recommend either Krylon, Grumbacher Myston, or ‘Lascaux Fixativ’ which
is manufactured in France. The Lascaux fix seems to have the least number of complaints about
results and a number of CP artists swear by it ( rather than ‘At’ it ). Winsor & Newton Fixative has
been reported as changing reds and purples in some cases, and the cheaper sprays have a number
of horror stories about changes of colour and dissolved surfaces.
Remember that these sprays are made for Pastel and are not usually recommended by the
manufacturer for CP
I have heard of one or two artists who commented that the Krylon can dissolve heavy layers of wax (
possibly when over sprayed ) and also can result in flecks of white appearing on dark surfaces (
Possibly due to dust in the atmosphere being picked up, and possibly down to a raising of the paper
surface where white flecks of lifted cotton from the paper show on a dark wax finished surface )
As indicated above, Sprayed fixative can produce colour shifts in the pencil media so this is not a
reliable cure, and the universal recommendation is that if you are going to spray, use very light spray
coats and let them dry, building up several layers rather than try to do a single heavy coat. Also with
Aerosol sprays, ensure that you are cautious as the can reaches the last dregs as the spray pattern
could well become irregular.
As far as I know Krylon sprays are mainly available in the USA, though there are one or two retailers
in London now reported to be holding stock. A search over the Internet may assist if you feel this
type of spray is the only solution.
Winsor & Newton and Daler Rowney sprays are generally easy to find in the UK.
In Europe there are several fixative spray manufacturers all making the sprays for pastel.
Don’t be tempted to try hair spray ! - it was not designed to be archival for artworks
Possible the most highly recommended ( and also one of the dearest ) Lascaux Fixativ is available
from Internet suppliers like Great Art ( Gerstaecker group ) and more information can be found
through the link here
The Lascaux Fixatv is acrylic resin based and has no complaints recorded against its use for
Coloured Pencil as far as I can detect. It is the brand which is most likely to work and work well.
...............
In the adjoining page on Fixatives - which follows this one - we look again - and in more detail - at
fixative sprays available in the UK and Europe. I have not been able to test or comment on most of
the fixative sprays sold in the USA as the majority of these contain problem ingredients and are
therefore not exported from the USA.
One USA manufactured spray is imported into Europe though, and this is an environmentally
friendly product called SpectraFix - made from milk casein and containing only alcohol and water as
other content. The Fixative works over CP as a means of opening up a wax or oil saturated surface
for further work and MAY well also provide a fixed surface to protect from bloom.
I have no test information on bloom prevention with this product as at March 2012, but will post a
further note here, if, and when, I know more.
SpectraFix is manufactured as a Pastel Fixative so there is no certainty that it will work to prevent
bloom in wax media.
We do know that it does not appear to affect colours and it does not appear to dissolve the surface
in any way.
It does work as an intermediate spray.
This is the completed Picture
It was worked on a rust coloured Colorfix paper (a sanded type of surface which holds
a lot of media) and Prismacolor pencils.
The picture is approx 16ins x 20 ins
See the item on Backgrounds which also features this work
More of Brandy’s work at :
http://brandyperez.blogspot.com/
Here you can see bloom on a wax pencil portrait of a steer.
The bloom forms a grey dusty coat over the surface of the wax pigment
obscuring the image.
A small area on the right has been carefully wiped over with a dry cloth
revealing the original strong colour beneath
This set of four images shows the process
Wax Pencils - Wax Bloom
If you read books on Coloured Pencil Techniques or follow
discussions on Internet Forums, you may well see the
problem of WAX BLOOM mentioned and the different ways
people work around it.
Readers in Europe and outside the USA are less aware of
the problem, as the difficulty arises from the wax carriers
used by two of the major manufacturers, Sanford’s
Prismacolor in the USA and Derwent in the UK.
Users of Polychromos (Faber Castell) : Pablo (Caran d’Ache) :
and other oil based and low wax content brands will not
usually have any problem. (The soft touch Luminance from
Caran d’Ache is Oil based, and I am assured it does not
cause bloom and no one has come forward to say it does ! )
Page last revised …. September 2017